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Video Friday: This Japanese Robot Can Conduct a Human Orchestra and Sing Opera

Your weekly selection of awesome robot videos

4 min read
Alter 3 robot
Image: Scary Beauty

Video Friday is your weekly selection of awesome robotics videos, collected by your Automaton bloggers. We’ll also be posting a weekly calendar of upcoming robotics events for the next few months; here’s what we have so far (send us your events!):

Robotic Arena – January 25, 2020 – Wrocław, Poland
DARPA SubT Urban Circuit – February 18-27, 2020 – Olympia, Wash., USA
HRI 2020 – March 23-26, 2020 – Cambridge, U.K.
ICARSC 2020 – April 15-17, 2020 – Ponta Delgada, Azores
ICRA 2020 – May 31-4, 2020 – Paris, France

Let us know if you have suggestions for next week, and enjoy today’s videos.

The Real-World Deployment of Legged Robots Workshop is back at ICRA 2020!

We’ll be there!

Workshop ]

Thanks Marko!

This video shows some cool musical experiments with Pepper. They should definitely release this karaoke feature to Peppers everywhere—with “Rage Against the Machine” songs included, of course. NSFW warning: There is some swearing by both robot and humans, so headphones recommended if you’re at work.

It all started when on a whim David and another team member fed a karaoke file into Pepper’s text to speech, with a quick Python script, and playing some music in parallel from their PC. The effect was a bit strange, but there was something so fun (and funny) to it. I think they were going for a virtual performance from Pepper or something, but someone noted that it sounds like he’s struggling like someone doing karaoke. And from there it grew into doing duets with Pepper.

This thing might seem ridiculous, and it is. But believe me, it’s genuinely fun. It was going all night in a meeting room at the office winter party.

[ Taylor Veltrop ]

And now, this.

In “Scary Beauty,” a performance conceived and directed by Tokyo-based musician Keiichiro Shibuya, a humanoid robot called Alter 3 not only conducts a human orchestra but also sings along with it. 

Unlike the previous two "Alters", the Alter 3 has improved sensory and expression capabilities closer to humans, such as a camera with both eyes and the ability to utter from the mouth, as well as expressiveness around the mouth for singing. In addition, the output was enhanced compared to the alternator 2, which made it possible to improve the immediacy of the body expression and achieve dynamic movement. In addition, portability, which allows anyone to disassemble and assemble and transport by air, is one of the evolutions of the Altera 3.

Scary Beauty ] via [ RobotStart ]

Carnegie Mellon University’s Henny Admoni studies human behavior in order to program robots to better anticipate people’s needs. Admoni’s research focuses on using assistive robots to address different impairments and aid people in living more fulfilling lives.

[ HARP Lab ]

Olympia was produced as part of a two-year project exploring the growth of social and humanoid robotics in the UK and beyond. Olympia was shot on location at Bristol Robotics Labs, one of the largest of its kind in Britain.

Humanoid robotics - one the most complex and often provocative areas of artificial intelligence - form the central subject of this short film. At what point are we willing to believe that we might form a real bond with a machine?

[ Olympia ] via [ Bristol Robotics Lab ]

In this work, we explore user preferences for different modes of autonomy for robot-assisted feeding given perceived error risks and also analyze the effect of input modalities on technology acceptance.

[ Personal Robotics Lab ]

This video brings to you a work conducted on a multi-agent system of aerial robots to form mid-air structures by docking using position-based visual servoing of the aerial robot. For the demonstration, the commercially available drone DJI Tello has been modified to fit to use and has been commanded using the DJI Tello Python SDK.

[ YouTube ]

The video present DLR CLASH (Compliant Low-cost Antagonistic Servo Hand) developed within the EU-Project Soma (grant number H2020-ICT-645599) and shows the hand resilience tests and the capability of the hand to grasp objects under different motor and sensor failures.

[ DLR ]

Squishy Robotics is celebrating our birthday! Here is a short montage of the places we’ve been and the things we’ve done over the last three years.

[ Squishy Robotics ]

The 2020 DJI RoboMaster Challenge takes place in Shenzhen in early August 2020.

[ RoboMaster ]

With support from the National Science Foundation, electrical engineer Yan Wan and a team at the University of Texas at Arlington are developing a new generation of "networked" unmanned aerial vehicles (UAVs) to bring long distance, broadband communications capability to first responders in the field.

[ NSF ]

Drones and UAVs are vulnerable to hackers that might try to take control of the craft or access data stored on-board. Researchers at the University of Michigan are part of a team building a suite of software to keep drones secure.

The suite is called Trusted and Resilient Mission Operations (TRMO). The U-M team, led by Wes Weimer, professor of electrical engineering and computer science, is focused on integrating the different applications into a holistic system that can prevent and combat attacks in real time.

[ UMich ]

A mobile robot that revs up industrial production: SOTO enables efficient automated line feeding, for example in the automotive industry. The supply chain robot SOTO brings materials to the assembly line, just-in-time and completely autonomous.

[ Magazino ]

MIT’s Lex Fridman get us caught up with the state-of-the-art in deep learning.

[ MIT ]

Just in case you couldn’t make it out to Australia in 2018, here are a couple of the keynotes from ICRA in Brisbane.

[ ICRA 2018 ]

The Conversation (0)

The Bionic-Hand Arms Race

The prosthetics industry is too focused on high-tech limbs that are complicated, costly, and often impractical

12 min read
Horizontal
A photograph of a young woman with brown eyes and neck length hair dyed rose gold sits at a white table. In one hand she holds a carbon fiber robotic arm and hand. Her other arm ends near her elbow. Her short sleeve shirt has a pattern on it of illustrated hands.

The author, Britt Young, holding her Ottobock bebionic bionic arm.

Gabriela Hasbun. Makeup: Maria Nguyen for MAC cosmetics; Hair: Joan Laqui for Living Proof
DarkGray

In Jules Verne’s 1865 novel From the Earth to the Moon, members of the fictitious Baltimore Gun Club, all disabled Civil War veterans, restlessly search for a new enemy to conquer. They had spent the war innovating new, deadlier weaponry. By the war’s end, with “not quite one arm between four persons, and exactly two legs between six,” these self-taught amputee-weaponsmiths decide to repurpose their skills toward a new projectile: a rocket ship.

The story of the Baltimore Gun Club propelling themselves to the moon is about the extraordinary masculine power of the veteran, who doesn’t simply “overcome” his disability; he derives power and ambition from it. Their “crutches, wooden legs, artificial arms, steel hooks, caoutchouc [rubber] jaws, silver craniums [and] platinum noses” don’t play leading roles in their personalities—they are merely tools on their bodies. These piecemeal men are unlikely crusaders of invention with an even more unlikely mission. And yet who better to design the next great leap in technology than men remade by technology themselves?

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