affetto robot

Hisashi Ishihara, Yuichiro Yoshikawa, and Professor Minoru Asada of Osaka University in Japan have developed a new child robot platform called Affetto. Affetto can make realistic facial expressions so that humans can interact with it in a more natural way.

Watch:

Professor Asada is the leader of the JST ERATO Asada Project and his team has been working on "cognitive developmental robotics," which aims to understand the development of human intelligence through the use of robots. (Learn more about the research that led to Affetto in this interview with Professor Asada.)

Affetto is modeled after a one- to two-year-old child and will be used to study the early stages of human social development. There have been earlier attempts to study the interaction between child robots and people and how that relates to social development, but the lack of realistic child appearance and facial expressions has hindered human-robot interaction, with caregivers not attending to the robot in a natural way.

Here are some of the expressions that Affetto can make to share its emotions with the caregiver.

affetto

The researchers presented a paper describing the development of Affetto's head at the 28th Annual Conference of the Robotics Society of Japan last year.

The video and photo below reveal the mechatronics inside Affetto. It might be a good idea not to show this to caregivers before they meet the robot—or ever.

This article appeared originally at GetRobo.

Norri Kageki is a journalist who writes about robots. She is originally from Tokyo and currently lives in the San Francisco Bay Area. She is the publisher of GetRobo and also writes for various publications in the U.S. and Japan.

The Conversation (0)

The Bionic-Hand Arms Race

The prosthetics industry is too focused on high-tech limbs that are complicated, costly, and often impractical

12 min read
Horizontal
A photograph of a young woman with brown eyes and neck length hair dyed rose gold sits at a white table. In one hand she holds a carbon fiber robotic arm and hand. Her other arm ends near her elbow. Her short sleeve shirt has a pattern on it of illustrated hands.

The author, Britt Young, holding her Ottobock bebionic bionic arm.

Gabriela Hasbun. Makeup: Maria Nguyen for MAC cosmetics; Hair: Joan Laqui for Living Proof
DarkGray

In Jules Verne’s 1865 novel From the Earth to the Moon, members of the fictitious Baltimore Gun Club, all disabled Civil War veterans, restlessly search for a new enemy to conquer. They had spent the war innovating new, deadlier weaponry. By the war’s end, with “not quite one arm between four persons, and exactly two legs between six,” these self-taught amputee-weaponsmiths decide to repurpose their skills toward a new projectile: a rocket ship.

The story of the Baltimore Gun Club propelling themselves to the moon is about the extraordinary masculine power of the veteran, who doesn’t simply “overcome” his disability; he derives power and ambition from it. Their “crutches, wooden legs, artificial arms, steel hooks, caoutchouc [rubber] jaws, silver craniums [and] platinum noses” don’t play leading roles in their personalities—they are merely tools on their bodies. These piecemeal men are unlikely crusaders of invention with an even more unlikely mission. And yet who better to design the next great leap in technology than men remade by technology themselves?

Keep Reading ↓Show less