Jumping Robot Salto-1P Now Goes Where You Tell It To

UC Berkeley’s robotic pogo stick can bounce its way up and over obstacles

3 min read
UC Berkeley jumping robot Salto-1P
Photo: Evan Ackerman/IEEE Spectrum

Last time we saw UC Berkeley’s Salto-1P, the robot was bouncing all over the place, able to hop continuously without any trouble. It was impressive to watch, especially when it occasionally exploded itself. But of course the Berkeley researchers had long-term plans to take the robot from generally bouncy to bouncy with a level of control that would allow them to teach it some sophisticated tricks. We saw some of those tricks this week at IROS 2018 in Spain, where Justin Yim presented a new video of Salto-1P turning some office furniture into a bouncy house.

Salto-1P’s hardware is the same as last year. It’s got one actuated elastic leg that gives it hops, an inertial tail that spins to control pitch, and half a quadcopter to control yaw and roll. The big difference this year is in the controller. The robot behaves more or less like a spring-loaded inverted pendulum, a simplified dynamic model that shows up often enough in both biology and robotics that it has its own acronym: SLIP. Way back in the 1980s, Marc Raibert developed a controller for SLIP-like robots, and people are still using it today, including Salto-1P up until just recently.

The reason why Salto-1P needed a better controller is because making the robot do things like you see in the video above requires very accurate foot placement—the robot has to be able to bounce on that chair without falling off, which means consistently landing more or less exactly where it wants to land after every jump. And even more aggressive behaviors, like jumping between walls, involves an entire sequence of jumps that all need to be accurate, since a single inaccurate jump will likely cause the robot to fall and smash itself to bits.

The fact that Salto-1P behaves ballistically means that it follows very predictable trajectories, which is good, but it also means that the only control that you have over the thing is during the excessively brief instant when it’s making contact with the ground. This can make things tricky, since most of the control that you get comes from the angle of Salto-1P’s leg at touchdown and the length of its leg (which affects how much power goes into the next jump), and that’s it.

In their tests, Salto-1P’s new controller proved to be a significant improvement over the original Raibert controller. Over a series of 95 randomish and occasionally aggressive hops, the standard deviation of Salto-1P’s foot placement error was just 0.1 meter, three times better that the error of a Raibert controller, and 95 percent of its touchdowns were within 0.3 meter of the targeted position. This is the kind of reliable, targeted jumping that allows the robot to hop on a chair, although anything much smaller than a chair is still a bit of a challenge at the moment. 

As you might expect, the more aggressive Salto-1P’s jumping is, the less precise it is. Optimal precision comes after a series of small jumps, while the hyperaggressive long-distance flinging itself about that we’ve seen in the past is much more difficult to target. With a mid-to-low jump height, Salto-1P can handle both moving targets and surfaces that aren’t flat and level, like the office chair in the video. And it’s likely to get better at what it does, too: We spoke with Justin Yim at IROS, who told us that he’s working toward increasing Salto-1P’s jumping precision even more, while also weaning it off of the external localization and computing systems that keep it confined indoors.

“Precision Jumping Limits from Flight-phase Control in Salto-1P,” by Justin K. Yim and Ron Fearing from the University of California, Berkeley, was presented yesterday at IROS 2018 in Madrid.

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The Bionic-Hand Arms Race

The prosthetics industry is too focused on high-tech limbs that are complicated, costly, and often impractical

12 min read
A photograph of a young woman with brown eyes and neck length hair dyed rose gold sits at a white table. In one hand she holds a carbon fiber robotic arm and hand. Her other arm ends near her elbow. Her short sleeve shirt has a pattern on it of illustrated hands.

The author, Britt Young, holding her Ottobock bebionic bionic arm.

Gabriela Hasbun. Makeup: Maria Nguyen for MAC cosmetics; Hair: Joan Laqui for Living Proof

In Jules Verne’s 1865 novel From the Earth to the Moon, members of the fictitious Baltimore Gun Club, all disabled Civil War veterans, restlessly search for a new enemy to conquer. They had spent the war innovating new, deadlier weaponry. By the war’s end, with “not quite one arm between four persons, and exactly two legs between six,” these self-taught amputee-weaponsmiths decide to repurpose their skills toward a new projectile: a rocket ship.

The story of the Baltimore Gun Club propelling themselves to the moon is about the extraordinary masculine power of the veteran, who doesn’t simply “overcome” his disability; he derives power and ambition from it. Their “crutches, wooden legs, artificial arms, steel hooks, caoutchouc [rubber] jaws, silver craniums [and] platinum noses” don’t play leading roles in their personalities—they are merely tools on their bodies. These piecemeal men are unlikely crusaders of invention with an even more unlikely mission. And yet who better to design the next great leap in technology than men remade by technology themselves?

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