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CyberWalk: Giant Omni-Directional Treadmill To Explore Virtual Worlds

Built by Italian and German researchers, it's the largest VR platform in the world

3 min read
CyberWalk: Giant Omni-Directional Treadmill To Explore Virtual Worlds

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It's a problem that has long annoyed virtual reality researchers: VR systems can create a good experience when users are observing or manipulating the virtual world (think Michael Douglas in "Disclosure") but walking is another story. Take a stroll in a virtual space and you might end up with your face against a real-world wall.

The same problem is becoming apparent in teleoperated robots. Imagine you were teleoperating a humanoid robot by wearing a sensor suit that captures all your body movements. You want to make the robot walk across a room at the remote location -- but the room you're in is much smaller. Hmm.

Researches have built a variety of contraptions to deal with the problem. Like a huge hamster ball for people, for example.

Or a giant treadmill. The CyberWalk platform is a large-size 2D omni-directional platform that allows unconstrained locomotion, adjusting its speed and direction to keep the user always close to the center. With a side of 5 meters, it's the largest VR platform in the world.

It consists of an array of synchronous linear belts. The array moves as a whole in one direction while each belt can also move in a perpendicular direction. Diagonal movement is possible by combining the two linear motions.

Built by a consortium of German, Italian, and Swiss labs, the machine currently resides at the Max Planck Institute for Biological Cybernetics, in Tubingen, Germany, where it's been in operation for over two years.

Last year at IROS, Alessandro De Luca and Raffaella Mattone from the Universita di Roma "La Sapienza," in Rome, Italy, and Paolo Robuffo Giordano and Heinrich H. Bulthoff from the Max Planck Institute for Biological Cybernetics presented details of the machine's control system.

According to the researchers, previous work on similar platforms paid little attention to control algorithms, relying on simple PID and heuristic controllers.

The Italian and German researchers came up with a kinematic model for the machine and from there they devised a control strategy. Basically the challenge is that the control system needs to adapt to changes in the user's direction and speed -- variables that it can't measure directly, so it needs to estimate them.

By precisely monitoring the position of the user on the platform using a Vicon motion-capture system, the controller computes estimates for the two variables and tries to adjust the speeds of the linear belts to keep the user close to the center -- all without abrupt accelerations.

The researchers also devised a way of using a frame of reference for the controller that varies with the user's direction. This method allowed the CyberWalk platform to provide a more natural walking experience, without making the user's legs cross when changing direction. The video above shows the results.

The CyberWalk platform is one of two locomotion devices developed as part of the European Union-funded Project CyberWalk. The other is a small-scale ball-array platform dubbed CyberCarpet.

The Technical University of Munich, another partner in the CyberWalker consortium, designed and built both platforms. And ETH Zurich, another partner, was responsible for the VR part -- creating a 3D VR model of ancient Pompeii and implementing the motion synchronization on the head-mounted display of the human walker.

You can read the researcher's paper, "Control Design and Experimental Evaluation of the 2D CyberWalk Platform," here.

Photo: CyberWalk Project


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The Conversation (0)

The Bionic-Hand Arms Race

The prosthetics industry is too focused on high-tech limbs that are complicated, costly, and often impractical

12 min read
A photograph of a young woman with brown eyes and neck length hair dyed rose gold sits at a white table. In one hand she holds a carbon fiber robotic arm and hand. Her other arm ends near her elbow. Her short sleeve shirt has a pattern on it of illustrated hands.

The author, Britt Young, holding her Ottobock bebionic bionic arm.

Gabriela Hasbun. Makeup: Maria Nguyen for MAC cosmetics; Hair: Joan Laqui for Living Proof

In Jules Verne’s 1865 novel From the Earth to the Moon, members of the fictitious Baltimore Gun Club, all disabled Civil War veterans, restlessly search for a new enemy to conquer. They had spent the war innovating new, deadlier weaponry. By the war’s end, with “not quite one arm between four persons, and exactly two legs between six,” these self-taught amputee-weaponsmiths decide to repurpose their skills toward a new projectile: a rocket ship.

The story of the Baltimore Gun Club propelling themselves to the moon is about the extraordinary masculine power of the veteran, who doesn’t simply “overcome” his disability; he derives power and ambition from it. Their “crutches, wooden legs, artificial arms, steel hooks, caoutchouc [rubber] jaws, silver craniums [and] platinum noses” don’t play leading roles in their personalities—they are merely tools on their bodies. These piecemeal men are unlikely crusaders of invention with an even more unlikely mission. And yet who better to design the next great leap in technology than men remade by technology themselves?

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