The December 2022 issue of IEEE Spectrum is here!

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telenoid

Last year, Hiroshi Ishiguro, a roboticist at Osaka University who’s built android copies of himselfand other people, shocked the world with his strangest creation yet: a creepy robotic creature called Telenoid that looked like a supersized fetus. Ishiguro envisioned the Telenoid as a device a person would teleoperate to communicate with others.

The robot received a lot of attention, but there weren’t really good videos showing how the thing operated. What we needed was an intrepid reporter willing to do a, uh, hands-on test with the bot. Now IDG has done just that and brings great footage of the Telenoid talking and squiggling under the grasp of their somewhat creeped-out correspondent.

It’s clear from the video that the Telenoid can move its head and change its facial expressions, although only slightly, but still more than I expected. So for the person holding it, it’s more than just a fancy, sperm-shaped giant telephone; whether you can feel the operator’s “presence” via the robot I don’t know, but according to the reporter who tried it, you might even want to hug it.

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The Bionic-Hand Arms Race

The prosthetics industry is too focused on high-tech limbs that are complicated, costly, and often impractical

12 min read
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A photograph of a young woman with brown eyes and neck length hair dyed rose gold sits at a white table. In one hand she holds a carbon fiber robotic arm and hand. Her other arm ends near her elbow. Her short sleeve shirt has a pattern on it of illustrated hands.

The author, Britt Young, holding her Ottobock bebionic bionic arm.

Gabriela Hasbun. Makeup: Maria Nguyen for MAC cosmetics; Hair: Joan Laqui for Living Proof
DarkGray

In Jules Verne’s 1865 novel From the Earth to the Moon, members of the fictitious Baltimore Gun Club, all disabled Civil War veterans, restlessly search for a new enemy to conquer. They had spent the war innovating new, deadlier weaponry. By the war’s end, with “not quite one arm between four persons, and exactly two legs between six,” these self-taught amputee-weaponsmiths decide to repurpose their skills toward a new projectile: a rocket ship.

The story of the Baltimore Gun Club propelling themselves to the moon is about the extraordinary masculine power of the veteran, who doesn’t simply “overcome” his disability; he derives power and ambition from it. Their “crutches, wooden legs, artificial arms, steel hooks, caoutchouc [rubber] jaws, silver craniums [and] platinum noses” don’t play leading roles in their personalities—they are merely tools on their bodies. These piecemeal men are unlikely crusaders of invention with an even more unlikely mission. And yet who better to design the next great leap in technology than men remade by technology themselves?

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