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Should Quadrotors All Look Like This?

Researchers say we've been designing quadrotors the wrong way

2 min read
Should Quadrotors All Look Like This?

Quadrotors are everywhere nowadays. Researchers have them, hobbyists have them, law enforcement has them, and they're being used commercially to do lots of stuff, from shooting movies to gathering aerial imagery to performing in shows and commercials. You'd think that by now, we'd have settled on a more or less optimized design, but at IROS 2013 last week, researchers from the University of Queensland, Australia, presented a paper suggesting that maybe we've been doing it wrong.

As cool as quadrotors are, in most cases they're simply not as good as helicopters. Because of the way they're designed (with four small rotors instead of one big one), they're less powerful, less efficient, and less maneuverable. The power and efficiency issues come from the fact that one big rotor generates more lift per aircraft footprint than four small rotors, and as for maneuverability, a helicopter that can alter rotor pitch instantly will always outmaneuver a quadrotor that can only control blade speed. Seriously, try doing this with a quadrotor.

So, the thing that quadrotors have going for them is that they're simple. Helicopters have complex main rotor heads, with shafts and bearings and linkages all over the place, while quadrotors just have four motors and that's it. The University of Queensland researchers came up with a "Y4" configuration that aims to take all the good bits of helicopters and make them as simple as quadrotors. I'm just going to start calling this new design a triquad. Keep in mind that this is still a quadrotor: it just had things shifted around a little bit.

Almost all of the triquad's lift comes from its big main fixed-pitch rotor, located at the center of the "Y" (pictured below). The three little fixed-pitch rotors in the "Y" configuration are angled (at a fixed 45 degrees) to provide counter-torque (which they do slightly more efficiently than a helicopter tail rotor) along with pitch and roll control. Here's how the control works:

Y4 quadrotor triquad

Crunching numbers suggested that the triquad would have an increase in performance (in terms of flight time) of about 25 percent over a standard quadrotor configuration. The researchers, being researchers, decided that the only fair way to test this hypothesis was through experimentation, so they built a triquad and a traditional quadrotor that were as identical as possible:

Y4 quadrotor triquad

They had the same mass, the same footprint, the same mass devoted to actuators, the same chassis, the same arms, the same batteries, and the same flight controller. The researchers explained that the standard "control" quadrotor had an optimized design, while the triquad was not optimized at all (because its design was constrained to keep it as similar as possible to the control quadrotor). This gave the control aircraft an advantage in power of about 9 percent.

Y4 quadrotor triquad

Even with this disadvantage in power and a suboptimal design, the average current draw during hover was over 15 percent higher for the control quad, which translates into a 15 percent increase in flight time for the triquad design. The researchers think that with some tweaking, that theoretically calculated 25 percent increase should be achievable.

"Towards a More Efficient Quadrotor Configuration," by Scott Driessens and Paul E. I. Pounds from the University of Queensland, was presented last week at IROS 2013 in Tokyo, Japan.

[ University of Queensland ]

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The Bionic-Hand Arms Race

The prosthetics industry is too focused on high-tech limbs that are complicated, costly, and often impractical

12 min read
A photograph of a young woman with brown eyes and neck length hair dyed rose gold sits at a white table. In one hand she holds a carbon fiber robotic arm and hand. Her other arm ends near her elbow. Her short sleeve shirt has a pattern on it of illustrated hands.

The author, Britt Young, holding her Ottobock bebionic bionic arm.

Gabriela Hasbun. Makeup: Maria Nguyen for MAC cosmetics; Hair: Joan Laqui for Living Proof

In Jules Verne’s 1865 novel From the Earth to the Moon, members of the fictitious Baltimore Gun Club, all disabled Civil War veterans, restlessly search for a new enemy to conquer. They had spent the war innovating new, deadlier weaponry. By the war’s end, with “not quite one arm between four persons, and exactly two legs between six,” these self-taught amputee-weaponsmiths decide to repurpose their skills toward a new projectile: a rocket ship.

The story of the Baltimore Gun Club propelling themselves to the moon is about the extraordinary masculine power of the veteran, who doesn’t simply “overcome” his disability; he derives power and ambition from it. Their “crutches, wooden legs, artificial arms, steel hooks, caoutchouc [rubber] jaws, silver craniums [and] platinum noses” don’t play leading roles in their personalities—they are merely tools on their bodies. These piecemeal men are unlikely crusaders of invention with an even more unlikely mission. And yet who better to design the next great leap in technology than men remade by technology themselves?

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