IEEE Spectrum Introduces Drones and 360 Video to Its Reporting

To produce 360 videos, reporters navigated technical challenges and red tape

2 min read
Photograph of Michael Koziol (left) and Evan Ackerman operating a drone in the air above them.
Michael Koziol [left] and Evan Ackerman fly a camera drone at Zipline in Rwanda.

Reporters used to head out into the field with nothing but a notebook. But when IEEE Spectrum associate editor Michael Koziol [left] and contributing editor Evan Ackerman [right] traveled to East Africa last October, they had plenty more gear to schlep. In addition to their laptops and digital recorders, they brought two DJI drones and an assortment of 360-degree video cameras

The trip was part of an experiment in immersive storytelling. Koziol and Ackerman journeyed through Rwanda and Tanzania to report on pioneering companies that are using small consumer drones for such tasks as delivering medical supplies and surveying roads. The two gathered material for several articles, including a feature story about a company called Zipline that’s delivering blood to Rwanda’s rural hospitals.

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The Bionic-Hand Arms Race

The prosthetics industry is too focused on high-tech limbs that are complicated, costly, and often impractical

12 min read
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A photograph of a young woman with brown eyes and neck length hair dyed rose gold sits at a white table. In one hand she holds a carbon fiber robotic arm and hand. Her other arm ends near her elbow. Her short sleeve shirt has a pattern on it of illustrated hands.

The author, Britt Young, holding her Ottobock bebionic bionic arm.

Gabriela Hasbun. Makeup: Maria Nguyen for MAC cosmetics; Hair: Joan Laqui for Living Proof
DarkGray

In Jules Verne’s 1865 novel From the Earth to the Moon, members of the fictitious Baltimore Gun Club, all disabled Civil War veterans, restlessly search for a new enemy to conquer. They had spent the war innovating new, deadlier weaponry. By the war’s end, with “not quite one arm between four persons, and exactly two legs between six,” these self-taught amputee-weaponsmiths decide to repurpose their skills toward a new projectile: a rocket ship.

The story of the Baltimore Gun Club propelling themselves to the moon is about the extraordinary masculine power of the veteran, who doesn’t simply “overcome” his disability; he derives power and ambition from it. Their “crutches, wooden legs, artificial arms, steel hooks, caoutchouc [rubber] jaws, silver craniums [and] platinum noses” don’t play leading roles in their personalities—they are merely tools on their bodies. These piecemeal men are unlikely crusaders of invention with an even more unlikely mission. And yet who better to design the next great leap in technology than men remade by technology themselves?

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