Intuition Leads to the Tool that Opened Up the Nanoscale Universe and a New Nanotechnology Lab
I was a guest yesterday of IBM along with a group of some 600 assorted dignitaries, politicians and other journalists at the opening of a new $90-million nanotechnhology research laboratory at IBM research facilities in Zurich Switzerland.
Along with some other journalists, I had received a preview of the facility back in November and even then with concrete still being poured and a jumble of wires seemingly sprouting up from everywhere the facility impressed with its unique “noise-free labs”. (I should note that it does seem that the final cost is now being reported as $90 million now rather than the $60-million figure I reported back in November. I have been told since posting this that the additional $30 million constitutes the cost of equipment, which was not calculated in my original figure.)
But yesterday’s event was truly a spectacle with a big band orchestra and a performance by a group of yoddlers that harkened back to Arthur K. Watson, the son of the founder of IBM, offering a yoddle for a Swiss audience 50 years ago—a recording of which preceded yesterday’s life performance. The festivities were not even dampened by the high level of security that was present apparently in response to some type of terrorist threat(s) targeting the new facility.
While a great deal of attention was paid to the collaborative partnership that will exist at the new facility between IBM and ETH Zurich, it was perhaps the more sentimental aspect of the day that provided a climax to the opening and was my personal interest in the story.
The new facility has been named the Binnig and Rohrer Nanotechnology Center in honor of the two Nobel Laureates, Gerd Binnig and Heinrich Rohrer, who in 1986, along with Ernst Ruska for his previous work in the design of the electron microscope, received the Nobel Prize in Physics for their invention of the Scanning Tunneling Microscope at IBM in Zurich.
In the IEEE Spectrum’s oft-quoted interview with Binnig back in 2004, A Beautiful Noise, Binnig describes the utter lack of success they had in trying to get their prototype device to do what they expected it to do.
“In a way, this process is just like Columbus going from Europe to America: on the way there, he has no clue that he is coming closer,” relates Binnig in the interview/ “We were in exactly the same situation because the instrument never worked. You have no clue what to do, what knobs to turn to make it work better, because it simply does not work at all. You can't be sure whether you are close to a solution or not.”
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